A trainer that I respect a great deal has released a free tutorial. Mark Spencer offers a free tutorial on Motion Control effects with photos:

“Animating photos is a staple effect pioneered by celebrated documentarian Ken Burns. In this tutorial Mark Spencer shows you why you should be doing these types of effects in Motion rather than Final Cut Pro.”

Click here to watch Mark's tutorial

Join Apple Certified Trainer Richard Harrington as he shows you how to capture video in Final Cut Pro once your clips have been logged.



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Want more training? Check out our DVDs.

One of the first bands I fell in love with during college was Nine Inch Nails (actually back then, it wasn't a band). The seminal record, Pretty Hate Machine was a mash-up of Prince Samples and Orchestral Scores from Stephen King and Clive Barker films (along with many other sounds). Since then Trent Reznor has continued to evolve/

Yesreday they‘ve releases The Slip—a new 10-track album—for free on http://theslip.nin.com/. The record is available in virtually every flavor of DRM-free digital format, all you need to do is give them your email address. The album will eventually be available in traditional formats as well. This move mirrors those of both Radiohead and Prince.

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I came home tonight and found a copy of Apple Pro Training Series: Aperture 2 sitting on my door step. I'm quite happy with how the book came out (especially since we were able to work in all of the new features in the 2.1 release). The book should start shipping within days... you can order it here. In the mean time (here are some features you won't want to miss).

Customize the Default Adjustment Set
Specify exactly which adjustments you want to appear by default in the Adjustments Inspector/HUD. Two new commands — Add to Default Set and Remove from Default Set — are accessible in the Action pop-up menu for each adjustment in order to configure these settings.

Keyboard support in Adjustment Panels
Make precise image adjustments using the arrow keys on your keyboard to drive the various sliders in the Adjustments Inspector/HUD. To activate keyboard control, click once in the numeric field of an adjustment control (such as Exposure). You can then use the arrow keys to increase or decrease values. Hold down the Option key when using the arrow keys for even more precise adjustment. You can use Tab to move to the next adjustment control (and Shift-Tab to move to a previous control).

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It’s possible to trim on the fly. This way you can listen for an audio edit or look for a particular visual cue. Just make sure the Dynamic trimmimg checkbox is marked.

1. Enter Trim Edit mode, and press the space bar to cycle your trim. The sequence will play around your edit point and loop. The pre-roll and post-roll are set in the Editing tab of User Preferences.
2. When you reach the desired edit point, press the I key to move your In point.
3. Press the up or down arrow to move through the Timeline to your next edit point.

Like this tip? It comes from the book
Final Cut Studio On the Spot from Focal Press.

Caught a great presentation from Steve Martin at NAB. It's all about using Production Premium with other NLEs like Final Cut Pro. Steve is a popular trainer (in fact one of Apple's main instructors). This one is helpful...



If you want more free classes... visit the Adobe TV site.

Several different options are available when dragging within the Timeline.

When dragging in the Timeline, use these tips:

• Dragging in the Timeline horizontally results in an overwrite edit by default.
• Dragging in the Timeline horizontally results in an insert or swap edit when you hold down the Option key.
• Dragging in the Timeline vertically results in an overwrite edit by default.
• Dragging in the Timeline vertically results in an insert edit when you press the Option key after you start to drag.
• Pressing the Option key and then dragging in the Timeline vertically results in a cloned copy added to the Timeline via an insert edit.
• Pressing the Option and Shift keys and then dragging in the Timeline vertically results in a cloned copy added to the Timeline directly above the clip.

Like this tip? It comes from the book
Final Cut Studio On the Spot from Focal Press.

Join Apple Certified Trainer Richard Harrington as he shows you how to capture video in Final Cut Pro once your clips have been logged.



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Want more training? Check out our DVDs.

Want 30 minutes of free training on Adobe Photoshop CS3? Adobe had me in their theater at NAB giving lessons. Here's a recording from one of the days so you can see what was taught.



If you want more free classes... visit the Adobe TV site.

Following up on my "Really Cool Adobe Announcements" post...

Adobe has actually posted their "secret" presentation from NAB. Hart Shafer talks about four cool things Adobe has up their sleeve.



You SO need to watch this... trust me. BTW (for those of you waiting... they did show OnLocation for Mac in this demo).

Thanks to the School of Podcasting for having us on the show. I had a chance to catch up and talk with the host about what folks need to think about when moving into the world of video podcasting. The interview also features my co-author (and business partner) Mark Weiser.

You can get the interview for free right here (http://www.schoolofpodcasting.libsyn.com/index.php?post_id=330803) and you should also check out their other shows which offer great perspective.

Adobe released the Adobe Media Player software on April 9, which allows a customizable, cross-platform media player experience. Built using the Adobe AIR runtime, the media player harnessed the power of Flash to create a rich media experience. To complete the experience, Adobe adds support for both RSS feeds and H.264 video, two of the open standards used by the podcasting movement.

What does this all mean? I had a chance to sit down with Deeje Cooley, who serves as an evangelist for Adobe’s Dynamic Media Organization (and formerly as the product manager for the Adobe Media Player). Cooley was tasked with bringing the product to market and he shared insight into Adobe’s motivation for the product and goals for its role in the market. Unlike competing products, the Adobe Media Player has chosen to focus on being a video-only player.

“The growth of video online, the dramatic growth of flash as the video delivery mechanism of choice… there was a ripe opportunity to take advantage of all these events around the industry,” said Cooley. “We started to build an RSS aggregator and quickly recognized that video was going to be a significant media online and so it became a video RSS aggregator. And so that’s really the birth of the Adobe Media Player.”

MUCH MORE AFTER THE JUMP

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When dragging tracks in the Timeline, where you drag is as important as what you drag. Careless dragging may result in an unintended overwrite edit when you intended
an insert edit.

If you look closely at the Timeline, you’ll notice that it’s divided by a thin gray line. When dragging, look to see which region you enter to determine the edit type.

When dragging from the Viewer or a bin, use these tips:

• Dragging to the upper-third of the track results in an insert edit.
  • Dragging to the lower two-thirds of the track results in an overwrite edit.
  

Like this tip? It comes from the book
Final Cut Studio On the Spot from Focal Press.

Join Apple Certified Trainer Mason Dixon as he shows you how to adjust cellular generators in Motion.




Like the podcast? Subscribe for FREE.
Want more training? Check out our DVDs.

Adobe showed some awesome stuff at NAB. My favorite was a future version of Premiere that transcribes your footage, then makes the transcription searchable for both editing and publishing to the web. I was going to do an in-depth write-up.... but then I got busy (still will).

In the meantime. Check out this article for details.
http://www.peachpit.com/blogs/blog.aspx?b=a75e92b0-f44f-4dfb-9eb4-96920bcaddc1

Author and video podcaster Richard Harrington shows you the china ball, an affordable soft lighting source.

Apple iTunes just promoted my company to network status. You can find all of our "in-house" technical training podcasts on a single page now.

I encourage you to take a look at our several shows.

• Understanding Adobe Photoshop – iPod and HD – A general interest show about Photoshop for beginners and intermediates
• Photoshop for Video – iPod and HD – A show about creating graphics for video pros and motion graphic designers
• Producing Video Podcasts – iPod and HD – A show that offers both production and post tips for making video for the web
• Final Cut Help – iPod – Weekly tips about using Final Cut Studio

Remember, the podcasts are totally free, all we ask is you post a review to the iTunes store and tell a friend.

I just released two newly updated Final Cut Pro discs. We updated our Absolute Training for Final Cut Studios Disc 1 & 2. Both DVDs are full current for Final Cut Studio 2 and include hands-on training files as well as HD resolution training and iPod files.

Apple Final Cut Pro
Volume 1: Getting Started in Final Cut Pro
Volume 2: Going Deeper in Final Cut Studio

Also, you may have missed that we recently released the following titles. These also include HD and iPod versions on the same disc.

Apple Color
Volume 11: Introduction to Color
Volume 12: Advanced Color
Bundled for Savings

Apple Motion
Volume 13: Getting Started with Apple Motion
Volume 14: Going Deeper with Apple Motion
Volume 15: Advanced Techniques with Apple Motion
Bundled for Savings

Thanks to all the great people who attended my classes at NAB this year. It was a ton of work to prep (and I must admit I needed some rest when I got back home). As promised, the class notes and resources have been posted to the Handouts section (be sure to browse for other resources as well).

Here's the list of what's available.

01 Fast Start with Adobe Photoshop for Video Pros – Slides | Book Sample
02 Video Podcasting Essentials – Slides
03 Selling Podcasting to Your Clients – Slides
04 A Sense of Perspective with Vanishing Point – Slides | Practice Files
05 Creating Movement within Photos with After Effects CS3 – Slides | Practice Files 1 | Practice Files 2
06 Directing Video Podcasts – Slides
07 Project Management for Video Pros – Slides
08 In-Depth: Video Production for the Web – Slides
09 Creating a Graphic Identity for Your Web Video – Slides [Enhanced PDF]
10 Render Faster: Wait Less and Play More in Adobe After Effects – Slides
11 Storyboard Techniques with Adobe Photoshop – Slides
12 Creative and Animated DVD menus using Photoshop – Handouts
13 Automating Broadcast Design with Photoshop – Slides
14 Seeing a New Light: FCP Color Correction – Slides | DVD

Want to create a cartoon effect for your video? Be sure to check out this step-by-step tutorial I wrote for Layers Magazine.

“Sure, clients want it…that “cartoon look.” But let’s face it; good animation is hard to come by. Unless you have a gaggle of animators locked in your closet, you’ll need to get creative. Sure, you could break out the pencil and paper (or maybe even try shadow puppets), but we’re here to offer you a different solution. By harnessing the power of Adobe CS3 Production Premium, you can convert video frames into vector art into film-resolution movie files. Curious? It’s all possible with the power of the Production Premium. Read on.”